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Finding My Voice: Painting What I Couldn’t Say

lorisowle
Aug 23
2 min read

For a long time, I thought painting was simply something I loved to do. I was drawn to color, movement, texture, and the process of watching something emerge on the canvas.

What I did not fully understand was how much of myself I was putting there.

There were periods in my life when I wasn't ready—or perhaps didn't know how—to examine everything I was feeling. Painting gave those feelings somewhere to go. I could work intuitively, responding to the canvas without having to explain what any of it meant.

Only later did I begin to recognize what had been happening.

I had been painting my way through it.


Retirement brought an unexpected question: Who am I when the roles that defined so much of my life are no longer there?
Retirement brought an unexpected question: Who am I when the roles that defined so much of my life are no longer there?

I initially thought the answer would simply arrive. Instead, I found myself in a long period of transition—waiting, searching, and slowly learning to become comfortable with not knowing what came next.

My paintings changed during that time. They became quieter and more atmospheric. Light began to emerge through darker passages. Horizons appeared. Openings formed. Again and again, I found myself painting places that seemed suspended between one state and another.

I wasn't consciously trying to document my life. But looking back, I can see that I was.

That realization changed my relationship with my work. I stopped thinking that I needed to begin a painting with something specific to say. I began trusting the process itself—the instinct to make a mark, obscure it, reveal part of it again, and allow the painting to develop without knowing exactly where it was going.

Somewhere in that process, I began to understand that my paintings had become my voice.

They don't provide answers. Neither do I.

But they allow me to explore the questions.


I am still painting my way forward.

There is more confidence in that now—not because I know where the work will lead, but because I no longer feel that I need to know.

Each painting is another conversation with myself: sometimes quiet, sometimes unsettled, sometimes filled with light. And perhaps that is what finding my voice has ultimately meant—not discovering something entirely new, but finally learning to listen to what was already there.


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